When the image importation features of UF5 were announced, I guessed - and I made clear I was only guessing - that Paul DeCelle had used this feature to reconstruct a copy of a painting by Lars-Gunner Nordström. I'd also like to address some of the points made in the comments about my previous post on UF5. ![]() I've had a little more time now to reflect on the implications of the digital image import features added to Ultra "Fractal" 5, so I hope I can clarify some of my initial observations.
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